Saturday, October 24, 2009
Montmorency on the Rocks
by Eleanor Updale.
#2 in the series.
I am, quite frankly, not as enamoured of this one as I was of the first book. It starts several years later, during which time we are told Montmorency and his friend Lord George Fox-Selwyn have had quite a career as international spies for the British government. As the book opens, Montmorency has become addicted to an unnamed drug while in Turkey, and George takes him north to his brother's estate in Scotland to cure him with the help of Dr. Farcett, who had healed his wounds in prison. Events soon lead them to a small island off of Scotland, Tarimond, which will come to feature prominently in this book and later ones.
On Tarimond, Dr. Farcett begins to look into why every baby there has died for the past 8 years, while in London, the investigation into a covered-up explosion requires the investigative services of the spies Montmorency and Lord George. The three make their way back to the city, only to find an old friend of Montmorency's ahs the information they need, and they bring her into their life, increasing their circle at the same time that they uncover the bomber - but not before he strikes again.
Once again, we have tales of intrigue and suspense, and the theme of dressing as another person or class helps them find out what they need by blending with a different group of people. I felt, though, that this book is trying to do a lot more than the first book did, and loses some of the wonderful straight-forward drive and plot that made that so good. Instead, the twists and turns feel less directed on one hand, and more contrived on the other, as they clearly set up things and characters for book #3.
In sum, I didn't not like it, but felt it didn't quite live up to the standard of its predecessor, which I loved.
Labels: 2005, action/adventure, historical fiction, lukewarm, suspense, teen
Tuesday, October 13, 2009
Montmorency: Thief, liar, gentleman?
by Eleanor Updale
I had been meaning to read this book for a while, since it sounded so delicious. Suspense, set in the Victorian era, involving a man who was a thief slinking under London by night and a gentleman by day. Would he be found out as one or as the other, and what would he stand to lose?
This first book sets up the series, introducing us to Prisoner 493 and his history, walking us through his time in prison, where he nurses his bitterness and envy towards the upper class and plans his dual life in great detail.
When he is at last released, he begins by setting himself up with the tools, clothes, and lodgings he will need, and the adventure begins. The crimes are not written up in detail, which could become dull and repetitive really quickly. Instead, his plans and what he learns are outlined, his narrow misses and the things he realizes he must change are sprinkled throughout to keep a nice degree of tension, and his progress is notable, but well-paced.
By the end, he finds himself offered a legitimate job of sorts - but one perfectly suited to his skills and parts of his personality, for it is all about deception, sneaking, and the thrill of the narrow escape. This perfectly sets up the next book in the series, too, and closes the door on part of his deception while it opens a new avenue for the same sort of suspense. This neat trick to keep the series fresh doesn't even feel gimmicky, which can be tough to pull off.
It will tell you something of my opinion that having finished the book last night, I went to the teen section today to pick up the rest of the series, bumping the book I had brought to work to start today.
I had been meaning to read this book for a while, since it sounded so delicious. Suspense, set in the Victorian era, involving a man who was a thief slinking under London by night and a gentleman by day. Would he be found out as one or as the other, and what would he stand to lose?This first book sets up the series, introducing us to Prisoner 493 and his history, walking us through his time in prison, where he nurses his bitterness and envy towards the upper class and plans his dual life in great detail.
When he is at last released, he begins by setting himself up with the tools, clothes, and lodgings he will need, and the adventure begins. The crimes are not written up in detail, which could become dull and repetitive really quickly. Instead, his plans and what he learns are outlined, his narrow misses and the things he realizes he must change are sprinkled throughout to keep a nice degree of tension, and his progress is notable, but well-paced.
By the end, he finds himself offered a legitimate job of sorts - but one perfectly suited to his skills and parts of his personality, for it is all about deception, sneaking, and the thrill of the narrow escape. This perfectly sets up the next book in the series, too, and closes the door on part of his deception while it opens a new avenue for the same sort of suspense. This neat trick to keep the series fresh doesn't even feel gimmicky, which can be tough to pull off.
It will tell you something of my opinion that having finished the book last night, I went to the teen section today to pick up the rest of the series, bumping the book I had brought to work to start today.
Labels: 2004, action/adventure, good stuff, historical fiction, loved it, suspense, teen
Pure Sunshine
by Brian James
Named for the type of acid the character are tripping on over its two-night span, this book follows a small group of Philly boys getting their party on, and sticking around with the one who's narrating as his night goes a little south.
This books doesn't seem like it's just for shock value, a big issues book, though it does talk about the drugs a bit and lets the narrator ponder more than a little about who he really is, what he wants, and why he hides parts of that from certain people, even among his grop of friends.
Instead, it gives strong, believable descriptions of what an acid trip is like and how your body reacts to it, how the narrator feels at different points over the night as he rides out the effects of the chemicals and some weed he adds in, and then the next day. He talks a bit about what kind of kid he is , too, which some will identify with, and others may find interesting or may just dismiss.
The second night, he is not reacting well, gets into a huge, ugly argument with friends, and takes off on his own for a night of no fun, just hanging on to survive until the drugs leave his system. By the time morning comes, he is in rough shape, and the appearance fo the girl of his dreams is the only thign that lifts him out of the gutter and the beginnings of self-pity.
The thing about this bad night of his is that it's not written to be some sort of comeuppance or morality thing. It just is what happened with too much chemical and not enough positive stuff to think about - which I think is important, because there is nothing a teenager is going to want to read less than a lesson on how he asked for it and no good came of his drug use. That, they've heard. Instead, the book answers some of those questions about what it's like to use drugs without making it either glamourous and fantastic or horrible and a sure dead end. It's got balance.
The other thing about this book is that you really see a normal, not-so-bad kid not always following his best instincts because they are not cool, but wishing he could. So while he joins in the bragging about girls and such, he actually has a major crush on a nice girl for all the right reasons, and is sort of waiting for someone like her before he has sex - he just doesn't want to admit that and face potential ridicule. And while he does okay in school and all, he doesn't want to be seen to be too interested or care too much, because it's not cool to. Instead, he talks about how he and his friends keep having to up the ante, moving from one sort of harmless trouble to the next level, when sometimes he wishes they could go back to doing small, goofy things for fun instead of having to see them as boring and chasing the next little high of small-time trouble.
By the end, he has not necessarily decided to turn over a new leaf and reject all of that as a result of some epiphany, but he is finding himself longing for simpler things and more truth, and maybe a shot at making that nice girl his, cutting the bs. It's an interesting ride because unlike many books, not much is resolved, but some possibilities of what comes after are left wide open. And while I kind of hate not knowing, I think it might play better with a teen than a tidy ending, especially since things are still wide open at that age.
Named for the type of acid the character are tripping on over its two-night span, this book follows a small group of Philly boys getting their party on, and sticking around with the one who's narrating as his night goes a little south.This books doesn't seem like it's just for shock value, a big issues book, though it does talk about the drugs a bit and lets the narrator ponder more than a little about who he really is, what he wants, and why he hides parts of that from certain people, even among his grop of friends.
Instead, it gives strong, believable descriptions of what an acid trip is like and how your body reacts to it, how the narrator feels at different points over the night as he rides out the effects of the chemicals and some weed he adds in, and then the next day. He talks a bit about what kind of kid he is , too, which some will identify with, and others may find interesting or may just dismiss.
The second night, he is not reacting well, gets into a huge, ugly argument with friends, and takes off on his own for a night of no fun, just hanging on to survive until the drugs leave his system. By the time morning comes, he is in rough shape, and the appearance fo the girl of his dreams is the only thign that lifts him out of the gutter and the beginnings of self-pity.
The thing about this bad night of his is that it's not written to be some sort of comeuppance or morality thing. It just is what happened with too much chemical and not enough positive stuff to think about - which I think is important, because there is nothing a teenager is going to want to read less than a lesson on how he asked for it and no good came of his drug use. That, they've heard. Instead, the book answers some of those questions about what it's like to use drugs without making it either glamourous and fantastic or horrible and a sure dead end. It's got balance.
The other thing about this book is that you really see a normal, not-so-bad kid not always following his best instincts because they are not cool, but wishing he could. So while he joins in the bragging about girls and such, he actually has a major crush on a nice girl for all the right reasons, and is sort of waiting for someone like her before he has sex - he just doesn't want to admit that and face potential ridicule. And while he does okay in school and all, he doesn't want to be seen to be too interested or care too much, because it's not cool to. Instead, he talks about how he and his friends keep having to up the ante, moving from one sort of harmless trouble to the next level, when sometimes he wishes they could go back to doing small, goofy things for fun instead of having to see them as boring and chasing the next little high of small-time trouble.
By the end, he has not necessarily decided to turn over a new leaf and reject all of that as a result of some epiphany, but he is finding himself longing for simpler things and more truth, and maybe a shot at making that nice girl his, cutting the bs. It's an interesting ride because unlike many books, not much is resolved, but some possibilities of what comes after are left wide open. And while I kind of hate not knowing, I think it might play better with a teen than a tidy ending, especially since things are still wide open at that age.
Labels: 2002, friendship, growing up, issues, lukewarm, teen
Sara's Face
by Melvin Burgess
Melvin Burgess has an incredible knack for dreaming up situations that sound like they could only lead to the cheesiest book in the world, yet making them entertaining and easy to buy into by virtue of his fantastic writing. His book Lady, for example, is about a teenaged girl who turns into a dog. Ridiculous? Sure. But he writes it so that the experience of being a dog seems like it must be realistic, it is so plausible.
So here, he writes about a rock star who has, teaming up with a gifted but unscrupulous plastic surgeon, pushed the boundaries of surgery well past normal or accepted. As a result, after years of constantly morphing his appearance, his face has collapsed. Still, he won't be kept down, and reinvents himself with a mask that propels him to even greater heights of global fame.
Sara, who considers herself a piece of performance art in her own way, is awestruck. She takes to wearing a mask of his face as much as she can, even before she burns her face with an iron. As she recovers, the great star Jonathon Heat visits her in the hospital, taking her under his wing and into his home, where he says he will nurture her talent, fix her face, and make her a star. The question is - is that what he really wants? Sar begins to have suspicions that he and his surgeon want her for a whole different reason, and that she may not even be the first.
The book has good suspense, an ending horrible enough to satisfy but not as bad as it could be, and a premise of evil plotting that leaves you with some delicious little chills. At the same time, for those who are inclined to a good think or good discussion, there is plenty here for that, too.
Not the kind of book I'd say you have to read, but a good little thriller, and just shocking enough to make you want to.
Melvin Burgess has an incredible knack for dreaming up situations that sound like they could only lead to the cheesiest book in the world, yet making them entertaining and easy to buy into by virtue of his fantastic writing. His book Lady, for example, is about a teenaged girl who turns into a dog. Ridiculous? Sure. But he writes it so that the experience of being a dog seems like it must be realistic, it is so plausible.So here, he writes about a rock star who has, teaming up with a gifted but unscrupulous plastic surgeon, pushed the boundaries of surgery well past normal or accepted. As a result, after years of constantly morphing his appearance, his face has collapsed. Still, he won't be kept down, and reinvents himself with a mask that propels him to even greater heights of global fame.
Sara, who considers herself a piece of performance art in her own way, is awestruck. She takes to wearing a mask of his face as much as she can, even before she burns her face with an iron. As she recovers, the great star Jonathon Heat visits her in the hospital, taking her under his wing and into his home, where he says he will nurture her talent, fix her face, and make her a star. The question is - is that what he really wants? Sar begins to have suspicions that he and his surgeon want her for a whole different reason, and that she may not even be the first.
The book has good suspense, an ending horrible enough to satisfy but not as bad as it could be, and a premise of evil plotting that leaves you with some delicious little chills. At the same time, for those who are inclined to a good think or good discussion, there is plenty here for that, too.
Not the kind of book I'd say you have to read, but a good little thriller, and just shocking enough to make you want to.
Labels: 2006, good stuff, issues, slightly weird stuff, suspense, teen
Friday, October 02, 2009
Give a Boy a Gun
By Todd Strasser
Written in the wake of the Jonesboro and Columbine rampage killings, this teen fiction book digs into the background of a fictional school shooting and the boys behind it. It is written as the interview notes of a reporter who went to the town and spoke to children, parents, and school faculty members who recalled what they could of the boys going years back, as well as the events of the hostage-taking. Among those notes, in footnotes at the bottom, are interspersed statistics and small facts about other real-life shootings, gun fatalities, and plenty of quotations from the documentary “Making a Killing, “ about the arms industry.
The book itself, I thought was quite well done. I know a lot of parents might react to this with horror, wondering why kids need to read about it. There are a few answers there. One is that it’s a fear our kids live with, a fact that hovers in the background of their lives at school now, the worry behind every lockdown. One school in the area my library serves has had two already this year. One based on a toy gun that was rumoured to be real, and one on a bomb threat. It’s October 1st as I write this, less than one month in. So yes, we may wish kids didn’t have to think about it, but they do.
So. With that said, this book manages not to glamourize the boys or the event, nor does it make it into a horror show. I really thought the author pulled the punch at the end, in fact, so there is very little in the way of gore. What is most shocking in the body of the book is the anger in the shooters and the entitlement in the in-crowd of jocks and the way the faculty support it.
For all that, though, Strasser does drive home a point hard, time after time. He just doesn’t use the body of the work to do so, which I appreciate, because there is little worse in terms of enjoyable reading than a book with a purpose. Instead, he hammers away at you with the facts, all the more chilling for being true. That gun deaths kill more children than all diseases combined. That for 1995, in seven states, there were more shooting deaths than traffic fatalities. That in 1995 alone, more Americans were killed by firearms than soldiers killed in 3 years of the Korean War and well over half of the number of soldiers killed during 8 years in Vietnam. (If you have seen the Vietnam War Memorial in D.C., that last fact is staggering, because you have a visual for it.) That military analysts have noted strong and marked similarities between “shooter” video games and training used by the military to break down soldiers’ resistance to shooting another human. And over and over, the seeming indifference of arms manufacturers, who continue to market guns whose only logical use can be to kill people, not to mention the tactics used to sidestep attempts to regulate their product.
Taken whole, it gives recommendation for things that need to change, it indicts the gun lobby strongly, and it shows not sympathy, but a level of understanding for how this can come to pass when conditions in a school or community are just the exact recipe for such a disaster.
If you worry that such a book might provide instruction or glamourize this kind of action, I would say I think it is not providing what kids who are wondering about it are looking for. Instead, it feels more like a call to action, a heads up about the need for change. It’s a good read, and a tricky balancing act is handled well here by Strasser.
Written in the wake of the Jonesboro and Columbine rampage killings, this teen fiction book digs into the background of a fictional school shooting and the boys behind it. It is written as the interview notes of a reporter who went to the town and spoke to children, parents, and school faculty members who recalled what they could of the boys going years back, as well as the events of the hostage-taking. Among those notes, in footnotes at the bottom, are interspersed statistics and small facts about other real-life shootings, gun fatalities, and plenty of quotations from the documentary “Making a Killing, “ about the arms industry.The book itself, I thought was quite well done. I know a lot of parents might react to this with horror, wondering why kids need to read about it. There are a few answers there. One is that it’s a fear our kids live with, a fact that hovers in the background of their lives at school now, the worry behind every lockdown. One school in the area my library serves has had two already this year. One based on a toy gun that was rumoured to be real, and one on a bomb threat. It’s October 1st as I write this, less than one month in. So yes, we may wish kids didn’t have to think about it, but they do.
So. With that said, this book manages not to glamourize the boys or the event, nor does it make it into a horror show. I really thought the author pulled the punch at the end, in fact, so there is very little in the way of gore. What is most shocking in the body of the book is the anger in the shooters and the entitlement in the in-crowd of jocks and the way the faculty support it.
For all that, though, Strasser does drive home a point hard, time after time. He just doesn’t use the body of the work to do so, which I appreciate, because there is little worse in terms of enjoyable reading than a book with a purpose. Instead, he hammers away at you with the facts, all the more chilling for being true. That gun deaths kill more children than all diseases combined. That for 1995, in seven states, there were more shooting deaths than traffic fatalities. That in 1995 alone, more Americans were killed by firearms than soldiers killed in 3 years of the Korean War and well over half of the number of soldiers killed during 8 years in Vietnam. (If you have seen the Vietnam War Memorial in D.C., that last fact is staggering, because you have a visual for it.) That military analysts have noted strong and marked similarities between “shooter” video games and training used by the military to break down soldiers’ resistance to shooting another human. And over and over, the seeming indifference of arms manufacturers, who continue to market guns whose only logical use can be to kill people, not to mention the tactics used to sidestep attempts to regulate their product.
Taken whole, it gives recommendation for things that need to change, it indicts the gun lobby strongly, and it shows not sympathy, but a level of understanding for how this can come to pass when conditions in a school or community are just the exact recipe for such a disaster.
If you worry that such a book might provide instruction or glamourize this kind of action, I would say I think it is not providing what kids who are wondering about it are looking for. Instead, it feels more like a call to action, a heads up about the need for change. It’s a good read, and a tricky balancing act is handled well here by Strasser.
Labels: 2000, good stuff, issues, teen
Friday, September 18, 2009
The Dunderheads
By Paul Fleischman, ill. David Roberts
This new Easy Reading book draws on caper films like Ocean’s Eleven for its quirky cast of characters, each with their own highly specialized skill set. This is married with a tale of student revenge on a teacher who crosses the line to create a fun story illustrated to terrific effect without straying into Graphic Novel territory. The overall feeling is of something familiar and cinematic, yet original and refreshing in the category this book fits into. You’re definitely rooting for the underdog kids here, and kids in grades 2-4 are pretty certain to love it for the combination of kid superiority, suspense, and humour.
Labels: 2009, early chapters, good stuff, suspense
Sunday, May 24, 2009
Where mah kittenpie at?
Yes, um, so you note that the latest posts are from August, and the last one from August I actually just posted because I found it in the draft files, thinking I had posted it way back then?
Well, I had a baby just as September turned to August, just as I wrapped up a major renovation and sent an older child off to school and helped my teacher husband get his classroom ready, so basically, it's been too busy to even consider reading and writing about it, and my arms are constantly full of massive amounts of baby flesh. (really, he's huge.)
BUT!
This hiatus should span about ten months to one year, and see me returning to regular posting in the summer, when I will have more time, or in September, when I go back to work.
I am very much looking forward to having time for reading kidslit again soon!
See you then...
Well, I had a baby just as September turned to August, just as I wrapped up a major renovation and sent an older child off to school and helped my teacher husband get his classroom ready, so basically, it's been too busy to even consider reading and writing about it, and my arms are constantly full of massive amounts of baby flesh. (really, he's huge.)
BUT!
This hiatus should span about ten months to one year, and see me returning to regular posting in the summer, when I will have more time, or in September, when I go back to work.
I am very much looking forward to having time for reading kidslit again soon!
See you then...
Labels: about kittenpie
Saturday, August 23, 2008
Author Review: Anatomy of a Boyfriend
by Daria Snadowsky. To be released in paperback in September.
Gotta love it when an author takes to the net to promote her own book, as this lady did, offering me a review copy of her teen novel of first love and loss. I'm glad, too, because for all that I love the cover (yeah, yeah, you do it, too), I may have passed it over as another fluffy teen chicklit book, which I've read lots of and find that while some are quite good, there are plenty that are, well, not so good. This book, while it does track the course of a romance, is not the same old formula, by any stretch.
What I most like about this is its straight take on the whole affair. Dominique wants to be a doctor, and has always been far too engrossed in studies and intellectual interests to notice boys all that much. She's a serious girl, unlike her friend, who is all about the fun with boys. Because of this curious, pragmatic personality, the fact that her voice is often frank and unflinching works really well to convey information about her sexual explorations as well as being able to discuss her emotions clearly.
Dominique, to be honest, is much like me as a teen, so I found her very relatable as a teen who is not a silly girl, but finds herself sometimes having to hold back to keep things going along at a pace that is is comfortable with, unwilling to completely give herself over to the rush of it, but unable to resist completely. She goes in with her eyes open and thinks about what she wants, which I like, but she isn't perfect and impervious to temptation, either. Neither a saint nor a slut, she treads a middle ground that I think will be familiar to teens and eye-opening but not alarming to parents.
I also really liked the writing of the sex and makeout scenes. It is free from cheesy euphemisms and other romance cliches, yet doesn't come across as clinicla, either. It is straight up, but perfectly evocative of how Danielle feels both physically and emotionally. I think it would actually be a really good book for a teen to read before they were involved in a relationship or considering any degree of physical exploration, as it really tells it like it is for an average teen.
I would highly recommend this for any teen.
Gotta love it when an author takes to the net to promote her own book, as this lady did, offering me a review copy of her teen novel of first love and loss. I'm glad, too, because for all that I love the cover (yeah, yeah, you do it, too), I may have passed it over as another fluffy teen chicklit book, which I've read lots of and find that while some are quite good, there are plenty that are, well, not so good. This book, while it does track the course of a romance, is not the same old formula, by any stretch.
What I most like about this is its straight take on the whole affair. Dominique wants to be a doctor, and has always been far too engrossed in studies and intellectual interests to notice boys all that much. She's a serious girl, unlike her friend, who is all about the fun with boys. Because of this curious, pragmatic personality, the fact that her voice is often frank and unflinching works really well to convey information about her sexual explorations as well as being able to discuss her emotions clearly.
Dominique, to be honest, is much like me as a teen, so I found her very relatable as a teen who is not a silly girl, but finds herself sometimes having to hold back to keep things going along at a pace that is is comfortable with, unwilling to completely give herself over to the rush of it, but unable to resist completely. She goes in with her eyes open and thinks about what she wants, which I like, but she isn't perfect and impervious to temptation, either. Neither a saint nor a slut, she treads a middle ground that I think will be familiar to teens and eye-opening but not alarming to parents.
I also really liked the writing of the sex and makeout scenes. It is free from cheesy euphemisms and other romance cliches, yet doesn't come across as clinicla, either. It is straight up, but perfectly evocative of how Danielle feels both physically and emotionally. I think it would actually be a really good book for a teen to read before they were involved in a relationship or considering any degree of physical exploration, as it really tells it like it is for an average teen.
I would highly recommend this for any teen.
Labels: 2007, friendship, girly, good stuff, growing up, love story, Publisher Reviews, teen
Monday, August 11, 2008
Publisher Review: Madapple
by Christina Meldrum. See more about the book on the publisher's website, here.
(and read about my stance on reviews here, if you like.)
To start, let me fill you in on the title: Madapple is another name for a local herb also called jimsonweed that plays a major role in this tale so defined by herbs and lore. Aslaug grows up isolated, under the complete control of her mother, who teaches her what she thinks she should know, including lots of mythology and history, as well as great amounts about scientific inquiry and how to identify and use local flora.
The actual story unfolds in two formats running in alternating chapters - one a series of transciprts from a trial, the other the story as told by Aslaug in her complete version, filling in the gaps and questions that the court records open up. I must say that I think this gradual drawing out of the plot was probably supposed to engage and draw in a reader, but I didn't love the device. It was a bit slow going for me, though it did raise questions along the way, as intended.
Once Aslaug's mother passes away, she seeks and finds family, only to discover a world of strange, intertwined secrets and history. Herbs continue to play a role, but now she is thrust into a place of religion, where she is suddenly introduced to the readings and explorations that her mother kept hidden from her, although she had known that her mother was reading in these areas. Now she begins to see a new side of her mother and hear conflicting stories that leave her confused. Each member of this new family seems to have their own secrets and agendas, many of which revolve around her, but which she is unable to decipher. History seems to repeat itself at the end, until her cousin decides to take matters into his own hands and break from the madness.
Without giving away the ending, it does leave you with questions, most certainly, and with some things to chew on, if the story has grabbed you enough to make you keep thinking about it. For myself, I wasn't finding that I had to keep coming back to it, though I did also have to give myself a good few days to let it percolate before I could sit down and write a review. I found myself wonderign, instead, whether I liked it or not. It was haunting in places, certainly, it raises questions that might be of gripping interest for some readers, especially if they are of a religious bent, for it flirts with religious teachings, and it leaves open questions about the family and their history. In the end, though, I think I might just not have been the right person for this one.
(and read about my stance on reviews here, if you like.)
To start, let me fill you in on the title: Madapple is another name for a local herb also called jimsonweed that plays a major role in this tale so defined by herbs and lore. Aslaug grows up isolated, under the complete control of her mother, who teaches her what she thinks she should know, including lots of mythology and history, as well as great amounts about scientific inquiry and how to identify and use local flora.The actual story unfolds in two formats running in alternating chapters - one a series of transciprts from a trial, the other the story as told by Aslaug in her complete version, filling in the gaps and questions that the court records open up. I must say that I think this gradual drawing out of the plot was probably supposed to engage and draw in a reader, but I didn't love the device. It was a bit slow going for me, though it did raise questions along the way, as intended.
Once Aslaug's mother passes away, she seeks and finds family, only to discover a world of strange, intertwined secrets and history. Herbs continue to play a role, but now she is thrust into a place of religion, where she is suddenly introduced to the readings and explorations that her mother kept hidden from her, although she had known that her mother was reading in these areas. Now she begins to see a new side of her mother and hear conflicting stories that leave her confused. Each member of this new family seems to have their own secrets and agendas, many of which revolve around her, but which she is unable to decipher. History seems to repeat itself at the end, until her cousin decides to take matters into his own hands and break from the madness.
Without giving away the ending, it does leave you with questions, most certainly, and with some things to chew on, if the story has grabbed you enough to make you keep thinking about it. For myself, I wasn't finding that I had to keep coming back to it, though I did also have to give myself a good few days to let it percolate before I could sit down and write a review. I found myself wonderign, instead, whether I liked it or not. It was haunting in places, certainly, it raises questions that might be of gripping interest for some readers, especially if they are of a religious bent, for it flirts with religious teachings, and it leaves open questions about the family and their history. In the end, though, I think I might just not have been the right person for this one.
Labels: 2008, enh, family, growing up, Publisher Reviews, slightly weird stuff, teen
